Three Wonderful People and One Scared Little Kid

Having been a professional child and juvenile actor in New York City back in the 1960’s and then returning to the performing arts after retiring from the Army in 1996, I could write a whole book answering the question, "Who was the nicest celebrity you have met?  (in fact, I have written about some of those people in this blog.) If I am forced to pick just one I cannot, so I have to say my first on-stage “Mom”, the actress Mary Martin,

my first on-stage “Dad”, Theodore “Theo” Bikel

and my first on-stage “Uncle”, Kurt Kasznar.

I joined the cast of The Sound Of Music in 1960, after it had been running on Broadway for about 6 months. One of the boys who was playing Friedrich Von Trapp started to go through his voice change from Soprano to Bass, so they moved one of the boys playing Kurt Von Trapp into that role and hired me to replace the boy who had been playing Kurt. (Because of child labor laws, actors under the age of 18 can only do a maximum of 4 shows a week. Since a Broadway show does 8 performances, every child role has two or more actors alternating shows).

I had never been in a play before, not even at school, and knew nothing. Mary, Theo, Kurt (who was playing Max) - they all worked with me, mentored me and prepared me for my opening night. Mary personally taught me to dance the “Laendler” folk dance number (which she and I danced together at each performance) because I was having trouble learning it. Luckily, Mary had been a dance teacher when she was a teenager in Texas.

My “opening night” is something I will never, ever forget. I was standing in the wings in my sailor suit, waiting for Theo to blow my whistle signal, scared to death. Kurt looked at me and said the magic words in that wonderful Austrian accent of his, “Don’t worry, Richard. Nobody in the audience has the script.” Theo blew the whistle and Kurt said, “Go out there and kick ass!”. I stepped out on the stage with 1,500 people in the audience - and the first thing I saw was Mary’s beaming smile and I knew everything was going to be all right. Every scene with her, she focused that wonderful smile on me. Our dance went perfectly like we had been doing it every night for weeks.

I came out with the other kids at the end for the curtain call and we took our bows. Kurt came out and bowed, Theo came out and bowed, and Mary came out and took her bow - and then she came over to me and, in front of the cast and all 1,500 people of the audience, she gave me a big hug and a kiss on the cheek. It was the official Seal of Approval - I was now an actor!

Over the next 9 years I was in small roles or the chorus of 6 more Broadway shows (most of which could be considered “flops”) - and Mary came to at least one performance of each show, coming backstage after the performance with a hug and a kiss and praise. And if I was the opening act at some nightclub or supper club In New York City or Philadelphia and she was in town - she was there leading the applause.

In 1962 I was cast as Friedrich Von Trapp in the National tour of The Sound Of Music - and since I needed to play the guitar in the show, Theo taught me “Edelweiss”.

Kurt and I remained close and I visited him in the hospital the day before he died of cancer in 1979.

There have been many, many nice special “celebrities” who have been part of my life so far - and Mary, Theo and Kurt definitely are at the top of the list.

What had been, before life threw me a curve

1967 - 1969 Philadelphia,  New Jersey, New York City

Between the years 1967 and 1969 when I went into the Army, with the help of two very special people, Buddy Greco (My “Buddy”) and Jimmy Durante (The Schnozzola - Jimmy Durante), I had established myself as an up-and-coming nightclub performer, even though I was still in my late teenage years. Whenever a big name performer came into Philadelphia to play one of the clubs there, I was on the list of local performers who was considered a solid opening act. Normally I would go on at 8:00 PM and at 10:00 PM, do a 20 minute singing act and then introduce the headliner. Between shows I would do my homework in the kitchen and head home usually while the headliner was doing his second show of the night.

So I thought, with that wave of nostalgia, that I would write a few words about some of those people who I had the opportunity to work with back then:

Jack E. Leonard

Imagine a nasty version and physically larger version of Don Rickles (Don always said he modeled his act after Jack E.). Jack E. pretty much invented insult comedy. He would rove around the room, going from table to table and insulting the customers – and they loved it. He would insult the band, the waiters, the bartenders, even me – but he did it in such a funny way, no one got offended.

Buddy Hackett

Buddy was a nervous wreck off-stage and a profuse sweater. He would have to change shirts between shows because the one he wore for the first show was soaked through by the time he told his last joke. Buddy, despite his chubby cherub looks, was the dirtiest comic I ever worked with. I will never forget one night, walking by his dressing room between shows. He was seated at the table with a pad of yellow legal paper and a pencil. He would scribble something, look at it, say “F**K”, crumple it up and add it to the scraps of paper littering the floor. I asked him what he was doing and he answered, “I’m booked to play the Ed Sullivan Show this Sunday, kid, and I’m trying my damndest to come up with five minutes of clean jokes. Leave me alone!” – and I hastily retreated.

Jack Carter

Like most comedians I worked with, Jack was very, very serious and self-contained. We worked together for two weeks – and I never really got to know him.

Al Martino

I rarely opened for singers, being a singer myself, but Al liked me and we got on well. Not terribly friendly but not unfriendly either. The only issue he had with me was making sure I didn’t sing anything that he was planning to sing, but that was easy to settle between us.

Dean Martin

Another one of those entertainers who Buddy Greco introduced me to and who I worked with several times. Despite his laid-back on stage persona, Dean was incredibly professional and meticulous in his work ethic. And, despite his image, "sober as a judge".

I would finish my act, glance over at the wings where he would be pouring apple juice into an Old-Fashioned glass and announce him "Now, ladies and gentlemen, direct from the bar - Dean Martin!"  He would come out, look at me and say loudly, "How did all these people get into my room, kid?" and I would exit.  He would then grab the audience, hold them in the palm of his hand and entertain them for the next hour.

Like many of the other performers, we would talk between shows and he would analyze my act and make helpful criticisms on how I could improve. We never talked much about personal things, just about entertaining, singing and music.

Sammy Davis Jr.

Sam was exhausting to be with - he had so much energy that, if they could have found a way to tap that energy, you could have had enough power to light every room in the Empire State Building. His regular opening act was Hines, Hines & Dad (Gregory & Maurice Hines and their father) but he was scheduled to play the Latin Casino in New Jersey for a week and “Dad” twisted an ankle – not good for a tap dancing act! Buddy and I were at Palumbo’s in Philadelphia and Sam came to see Buddy about 9:30 PM, while we were on break between shows, thinking to ask him to fill in for the Hines’. Buddy had a conflict so he said, “How about Rich?” (without telling me) and Sammy stayed. When I finished my closing song and was about to introduce Buddy (who I saw standing next to Sam in the back of the room), Sammy came running up, grabbed me, hugged me and told the audience that I would be opening for him at the Latin the next week. He never actually asked me, but I wouldn’t have said “No”.

The Latin Casino was packed every night. Sammy was marvelous - and even I wasn’t bad. Celebrities came down from New York City and Sammy introduced me to them – Bobby Darin, Dean Martin, Louis Prima & Keely Smith, Steve Lawrence & Edye Gorme, Redd Foxx and – Frank Sinatra (yes, dear reader, the hand that is typing this blog post once shook Frank Sinatra’s hand!). Based on that week, I got booked into the lounge at the Flamingo Hotel in Las Vegas (not as glamorous as you might think - think of the beginning of Whoppi Goldberg’s movie Sister Act.). Things were looking up!

My second day in Las Vegas I got a call from my Mom. A boy who lived down the street from us, born on the same day as I but only 4 hours later, had gotten his draft notice. I went down to the Selective Service office in Las Vegas, had my physical and found that I was 1-A prime draft material. I went to the various recruiters to see what was the best deal I could get rather than be drafted into either the Army or Marines as cannon fodder and enlisted in the Army in Military Intelligence.

My last show at the Flamingo was bittersweet. It had become my dream to graduate from Opening Act to Headliner and I felt I was almost there - and now Uncle Sam said “No, kid. You have to go to Vietnam”. 

Three days later, I was back in Philadelphia at the AFEES Station being sworn into the Army and heading off to Basic Training at Fort Dix, NJ. By the time my initial enlistment ended, the nightclubs and supper clubs were almost all gone, I had a wife, a son and another on the way. So I re-enlisted and eventually stayed in until I retired 27 years later.

The dream was gone – but the memories remain…

My “Buddy”

April, 1967 Philadelphia, PA

I was a 16 year old kid in high school, working on weekends doing local TV (Gene London’s Cartoon Corner’s General Store on WCAU - Philadelphia’s CBS affiliate), when one of my classmates asked me if I was busy the following week. I was a little confused because I knew she had a boyfriend but then she explained that it was about a possible job. Her grandparents owned a supper club/nightclub called Scioli’s and the headliner’s regular opening act was unavailable. She knew I was an entertainer and thought I might be right for the job.

So I went to the club and met Armando “Buddy” Greco. I sang for him, we talked, we shook hands - and the next night at 8:00 PM I was doing my 20 minutes set before introducing him. I did my homework in the kitchen and went back on for the 10:00 PM show, did my 20 minutes and introduced Buddy. After the second show, while the busboys were cleaning up, we sat together at the piano and he went over my set, giving me constructive criticism and making suggestions.

This was our routine for that whole week. When our last night of the engagement ended, Buddy handed me some sheet music to the songs he had been teaching me that week and said, “We’ll see each other again”.

Several weeks went by and the phone rang at home. It was Buddy and he was coming into Philadelphia to play Palumbo’s and wanted me to open for him (at, I might add, an increase in pay). And that led to another week together. Part of it, I know, was that he was originally from Philadelphia and, like me, he grew up poor and he had gotten his first big break, playing piano for the Benny Goodman Big Band when he was the same age I was then.

Other celebrities would come to see him and he would introduce me and give me a big build up. As a result, I became pretty established as a solid opening act whenever someone came into town to play the clubs. Through Buddy, I met and eventually opened for comedian Joey Bishop (another Philadelphia boy), singer Al Martino, comedians Buddy Hackett, Jack Carter and Jack E. Leonard (which led to my friendship with Jimmy Durante The Schnozzola - Jimmy Durante). On one very special night, Sammy Davis Jr. came - and that led to a week opening for him at the Latin Casino in New Jersey.

Between 1967 and 1969, I was a very busy kid with high school, nightclub work and chorus work in two different Broadway shows (both of them flops!)

Vietnam and the demise of the nightclub business ended that career for me, sadly. Buddy and I kept in sporadic contact and seriously re-connected a few years ago. He will be celebrating his 90th birthday in August of 2016 with a performance in Las Vegas (he and his wife, Leslie, live in England).

He is truly “My Buddy”.

Growing Up A Child Of The Sixties

I was born in Philadelphia, PA in 1951. I went to a public school that was racially integrated and had a few friends who were Black. Because my maternal Grandmother who lived with us was a bigot (she hated Blacks, Italians, Poles, Chinese, Japanese, Jews, French, Germans - basically she hated anyone who was not a Protestant who could not trace their ancestry to England, Scotland or Wales), they couldn’t come to my house so I would go to theirs. Aside from her, I never saw much racial discrimination or bigotry until my mother and I went to Washington, D.C. in 1961 when I was touring in a play.

There I saw legalized racial discrimination for the first time - separate restrooms, separate water fountains, etc.

At the theater I was performing at, the Whites were on the ground floor and Blacks could only use the balcony. When we took the bus from the hotel to the theater, we sat in front, the Blacks sat in back and if all the seats were occupied and a White person got on the bus, one of the Black people was required by law to give them their seat.

Because I was making good money as a child performer in Broadway musicals and on local TV, my father was able to achieve his life-long dream of going to college and seminary and becoming an American Baptist Convention minister. While in seminary, he became friends with several of his classmates - including a young man named Martin Luther King and another young man named James Reeb.

My father also was the Scoutmaster of the Boy Scout Troop that my brother and I were members. One summer, our troop went to Treasure Island Scout Camp and my brother and I got to know a kid from New York, another Boy Scout named Mickey Schwerner.

On August 28, 1963, my family and I were on the Mall in Washington, D. C. listening to Martin’s “I have A Dream Speech”

In 1964, Mickey Schwerner and two other Civil Rights workers were killed by the Ku Klux Klan and their bodies buried in an earthen dam in Philadelphia, Mississippi.

Martin spoke with my Dad - and Dad, Mom, my brother and I went to Selma and marched for Civil Rights. On Bloody Sunday, March 7, 1965, all four of us were arrested

On March 11, 1965, Dad’s friend, James Reeb, who had become a Unitarian minister, was beaten to death by the Ku Klux Klan in Selma, Alabama.

On April 4, 1968, Martin was assassinated. Dad was one of the many clergy who spoke at his funeral.

Are things worse now?

Are things more violent now?

To be completely honest - I do not know.

Different - yes.

Better?

Worse?

I do not know.

A Bad Day In East Berlin

Note: So many people have asked for a more detailed story about this incident that I guess I better get around to writing about it. Be advised that most of the names are pen-names or pseudonyms – some of the people are, or may be, still alive at the time I am posting this

August 1973:

As I have written in “Just Another Day At The Office...”, during the course of an investigation, we had convinced an East German agent who had been spying on the U. S. Air Force in his capacity as Head Bartender at the Wisbaden Air Base to become a “double agent” – to work for the West while still pretending to spy on us. “Heinrich” and I spent a lot of time together in the interrogation room and developed something of a rapport, if not a friendship. After his decision to affectively switch sides in the Cold War, he was handled by people within the American CIA and the West German Bundeskriminalamt (BKA).

Eventually Heinrich was recalled to East Berlin and was promoted within the Stasi (the Ministerium für Staatssicherheit or Ministry For State Security). He continued to send out information to his CIA & BKA handlers.

Intercepted communications within the East German intelligence agencies indicated that people within the Stasi were beginning to distrust Heinrich and were compiling evidence to arrest him for spying for the West. A decision was made to get him out before he was arrested. Heinrich, being naturally and logically paranoid, did not trust just everybody and would only “come out” if personally contacted by someone he knew wasn’t Stasi. I stupidly volunteered to be that person.

Armed with a very authentic-looking Austrian passport identifying me as a businessman from Salzberg, Austria who worked for a toy company (which fit my Southern German accent), I crossed the border between Austria and Yugoslavia and traveled through the various Warsaw Pact countries on a “business trip” until I got to East Berlin. I made contact with Heinrich and we started to a “safe house” that I had been briefed on where he would be smuggled out of the city and into West Berlin. (The original plan had me finishing my business trip and returning through Yugoslavia and Austria.)

Heinrich realized that we were being followed so we decided to split up a few city blocks before our destination. For whatever reason, the man following us decided to stick with me. I looked for a place to shake him, but made a mistake and entered a dead end street.

He called on me to stop and I did, turning to face him. He was pointing his gun at me (a Makarov pistol) so I put my hands up. I figured the worst possible situation would be that he would take me in, I would be interrogated and then held to be exchanged for some East German agent who had been captured by the West – which was normal practice in those Cold War days of the early 1970’s.

Some psychic sense, however, told me that he was not going to arrest me - he was going to shoot me. I did my best impersonation of a creature than has no internal skeleton and collapsed. His bullet, which was intended for my left chest, gouged across the top of my left shoulder. It felt like an incredibly strong man had hit me in the shoulder with all their strength. On the way to the ground, I got my own gun out and shot him twice.

We both laid there for a moment. I got up, went over to him and found that he was dead. I quickly searched his pockets and took his wallet and his Makarov. I somehow got the few city blocks to the safe house and passed out shortly after entering. The people there gave me emergency medical treatment and smuggled me into West Berlin the next day (I remember nothing about it. I remember collapsing in the hallway of the safe house and my next memory was waking up in a hospital in West Berlin).

Heinrich was given a completely new identity and eventually ended up in Waco, Texas where he taught German at Baylor University. We met once, years later, and had more than a few beers in celebration.

In my 27 years in Army Intelligence/Counter-intelligence I only had one or two scary experiences like this - most of the time it was pretty dull, hum-drum work. I wish it had all been dull, hum-drum work.

"We few, we happy few…"

Someone once asked me this question "What was the coolest military unit of all time?"

And his question got me thinking....

Okay, I am prejudiced - extremely prejudiced.

The 407th Radio Research Detachment, U. S. Army Security Agency (1968–1972).

We provided signal and communications intelligence to the 1st Brigade, 5th Infantry Division (Mechanized) and were home based out of Quang Tri, Vietnam with small detachments of various fire bases along the North Vietnamese-South Vietnamese border. One in particular, Firebase A-4, was within 2 kilometers of North Vietnam.

Imagine an Army unit of approximately 50 enlisted men and 4 officers who all had “genius” level IQ’s - even the mechanics who maintained our vehicles. (The military at that time gave new soldiers a series of tests called the ASVAB, one of which [the GT] was pretty much an IQ test with a maximum possible score of 160 points - and 10 of the 50 who were enlisted men in the unit with me [1970–1971] had scored 160 on that test!). Survivors of the unit became college professors, published authors, lawyers, one eventually became a top plastic surgeon and one (me) became a jazz singer.

To paraphrase an old line from President Kennedy, it was one of the greatest assemblies of brain power in one place since President Thomas Jefferson dined alone.

Though it was not in the normal order of things, members of the unit saw more than their share of direct combat and firefights, but more importantly we, through our efforts collecting, analyzing and reporting intelligence, were responsible for a lot of American soldiers returning to the U.S. alive at their end of their tours.

How young we were then...

Not so young anymore - but we can still kick ass if needed.

My Band of Brothers.

My Friend, Anna

New York City, 1961-

I was 9 years old and was in New York City with my mother as my chaperone in rehearsal for “Sail Away” where I played one of the annoying kids on the cruise ship Carolonia who were giving ship’s activities director, Mimi Paragon (Elaine Stritch) a hard time in “The Little One’s ABC’s”. I had a night off and we managed to get tickets for “The Miracle Worker” with Patty Duke and Anne Bancroft which was at the Playhouse Theater.  I remember sitting there, mesmerized watching Patty on stage. We met briefly after the performance at the stage door, a 9 year old actor and a 13 year old actress.

1990 –

My cousin, Russell “Rusty” Hamer, former child star of “Make Room For Daddy” committed suicide and Paul Petersen, himself a child TV star from “The Donna Reed Show”, started A Minor Consideration to try and reach out and help former child performers who were having issues dealing with adulthood.  I connected with the group and through it re-connected with Anna (Patty’s real name). She told me about seeing me in “Sail Away” after we opened and about seeing me in “Oliver!” in 1963, having a crush on Davy Jones, who was playing The Artful Dodger (Davy, as almost everyone knows, went on to be one of TV’s The Monkees).  I was finishing up my 27 year Army career and she had married Michael Pearce who had been an Army sergeant when they met. We kept in touch with letters and e-mails and would occasionally cross paths. She was always very kind, nice, and had quite a sense of humor.

When my fiancee died in an accident in January of 2015, Anna was one of the first to reach out to me and help me get through that emotionally devastating time.

The last time I heard from her directly was in February 2016 and, even though she was not well, almost everything in her e-mail was “how are you doing?” and concern about me.

That’s the Anna I will always remember, giving freely of herself and asking little in return.

Anna "Patty Duke" Pearce, my friend 1946-2016. R.I.P.

Americhristianity is NOT Christianity

A response to the question: "Can you have left wing ideas but still have Christian views and beliefs?"

The fact that I am a follower of the teachings of Jesus and have been for over 50 years is WHY I have "left wing ideas".

The fact that I am a Christian is WHY I have worked for, and continue to work for, civil rights and human rights for every person, male or female, White or Black or Hispanic or Asian or Native American - even those who were not lucky enough to be born in one of the 50 United States.

I was raised in what is known as the "Social Gospel" - the Christian faith practiced as a call not just to personal conversion but to social reform. We Christians do our best to apply Jesus' teachings from the Four Gospels to social problems such as poverty, slums, poor nutrition and education, alcoholism, crime, and war.

We Christians do not follow the religion of Americhristianity that many follow but claim it to be Christianity - as a friend, Christian minister John Pavlovitz,  describes it,

Americhristianity is a Frankensteined faith made of rabid nationalism, political posturing, and fearful self-preservation. Our Jesus; (the one from the Gospels that we Christians follow) really doesn’t fit into Americhristianity. He’s too soft, too tolerant, too vulnerable. He’s not brash enough, his foreign policy not tough enough. Americhristianity retains only the smallest sliver of Christ; conveniently just enough to get people saved or send them to Hell. 

Outside of that, Americhristianity is purely Stars and Stripes and American Dreams, all wrapped around a cross. 

Americhristians are perfectly content to demand revenge when they get hurt, perfectly content to live fat and happy surrounded by poverty, and perfectly content to pick fights whenever they are confronted - confident that Jesus approves of all of it. Americhristians are not sinister in this, just oblivious. 

They have been led to believe that Americhristianity is the real Christianity - and that the Christianity of those of us who try to follow Jesus' teachings is heresy, un-Godly, apostate, liberalism and vaguely  Socialism- maybe even Communism.

God loves drunks and fools

Originally published January 23, 2016 in response to a Question - 

"What's the best thing you've done while drunk?"

September 1970 Fire Support Base Fuller, Dong Ha Mountain, Quang Tri Province, South Vietnam -

I was one of 12 American soldiers on a fire base on top of a mountain in South Vietnam. With us were approximately 600 South Vietnamese soldiers. One of their officers, a Captain Nguyen, had gotten an undergraduate degree at Stanford in California and spoke almost perfect American English. We got to be pretty friendly.

For almost 3 weeks I had received no mail or any word from my parents or my fiancee. During a time when I was off-shift and really depressed, I opened a brand new bottle of Jack Daniels whiskey and proceeded to drink. About the time I had drunk approximately 2/3 of the bottle, the North Vietnamese started hitting us with mortars and rockets. The last thing I consciously remember was seeing Captain Nguyen get hit.

(Everything afterwards, in italics, was described to me later, after I sobered up).

I put down the bottle of Jack Daniels, walked across the compound to Captain Nguyen, picked him up, walked back across the compound to our bunker, administered first aid and called a Medivac helicopter. When the helicopter arrives, I picked up Captain Nguyen, carried him out to the helicopter, put him on the helicopter and then stood there, waving "good-bye" as it took off. The I went back to the bunker to finish the bottle. During this whole time, mortar and rocket rounds were landing all around me but for some unknown reason, I didn't get a scratch.

Without my knowledge, the other Americans and the other South Vietnamese officers sent detailed reports of what I did to their respective higher headquarters.

When I returned to our main base in Quang Tri several weeks later, there was a reception party of South Vietnamese officers waiting for me and I was presented with the South Vietnamese Cross of Gallantry Medal.

Several weeks after that I was presented with my first Bronze Star Medal.

Captain Nguyen survived his wounds but was killed several months later in a firefight between his men and a North Vietnamese Army unit.

By the way, it turned out that the reason I had not gotten any mail for the 3 weeks was that all the letters had accidentally been sent to the wrong unit. When everything got straightened out, I got about 20 letters all at one time.

I have often maintained that, if I had been sober and less depressed, I probably wouldn't have done what I did.

The Schnozzola - Jimmy Durante

The years was 1967.

I was opening at Palumbo’s nightclub in my hometown of Philadelphia, PA for a comedian named Jack E. Leonard. Being much too young to be working legally in nightclubs (I was 15 years old), I was working with fake ID under the stage name “Dick Hamer”. Two shows a night – at 8:00 PM I would come out , do approximately 20 minutes of songs, introduce Jack E. and then go sit at a table in the kitchen and do my high school home work. I went on again at 10:00 PM, did my 20 minutes, introduced Jack E. and then left by the backdoor and took the subway home. Dad was going to school at night to finally get his college degree and my brother was in college as well, so my paychecks were an important piece of the family budget. It didn’t matter much to me – for I loved performing and dreamed of the day when I would move up from opening act to headliner.

It was an Saturday night, the last night of the engagement, when I noticed at the back of the room during the second show a face that I had seen often on TV. It was probably the most famous nose of the day – Jimmy Durante.

I don’t know if it was his presence or what, but I gave one of my best shows that night. Since I didn’t have school the next day, I stayed through Jack E’s show and when it was over, with the blind courage of youth, I walked up to Jimmy and introduced myself. He shook my hand and, before releasing it, he asked, “What are you doing next week?” I told him I didn’t have anything planned and he said, “Well, I’m opening here Monday night for the week. Are you available?” I was speechless – and when he told me how much I would get paid (almost twice what I had been getting), I could barely stammer out, “Yes”.

My last class on Monday ended at 2:30 and I raced home, changed into my working clothes (I was probably the only kid in my neighborhood to own his own tuxedo), grabbed my music and headed to Palumbo’s for rehearsal. Jimmy put a special bit for me in his act, so in addition to my 20 minutes, I would stay on stage after I introduced him and we would do a duet on Cole Porter’s “Friendship”. He would then give me a big hug and I would head to the kitchen to do my homework. At the late show, after our song, he would give me that big hug and whisper in my ear, “Go home, it’s late and you’ve got school tomorrow”.

The week ended, with great audiences every night. After the last show, Jimmy told me, “How would you like to work with me the next time I’m in town, Dick?” Of course, I said “Yes”. And for the next two years, whenever Jimmy worked at any of the clubs in Philadelphia, or at the Latin Casino across the river in New Jersey or at Steel Pier in Atlantic City, I opened for him. The paychecks got bigger and I went from 20 minutes to 30 minutes. Between shows we would sit and talk. He would critique my act, giving praise where he thought I deserved it and constructive criticism as well. And every night, after we sang our duet, there would be that big hug and some whispered encouragement in my ear. And even though I had abandoned the stage name of “Dick Hamer” and was using my real name, Jimmy always called me “Dick”. I really hated that nickname but Jimmy was special and I never corrected him.

In the spring of 1969, knowing that I might get drafted any day, I decided to get some choice in what Army job I would do, so I enlisted. I was to report on April 4 for basic training. On April 2, Jimmy called me on the phone to see if I would be available to open for him at The Frontier Casino in Las Vegas in May and, for the first time, I had to say “No” to Jimmy. He understood and asked how long I had enlisted for. I told him 4 years and he said, “Well, Dick, how’s about opening for me then? We’ll make a date for summer of 1973 – Vegas.” Naturally I said, “Yes”.

That Christmas while at the Defense Language Institute in Monterrey, CA I got a beautiful card from Jimmy and his wife Margie and another in 1970 while I was in Vietnam. I finished my tour in Vietnam in May of 1971, got married and left for Germany and there were cards on my birthday and at Christmas. Christmas of 1971 there was another card and tucked inside, as in the previous Christmas cards, was a note “Don’t forget – you and me in Vegas in ’73. Love, Jimmy”.

Jimmy had a stroke that next year, 1972, which confined him to a wheelchair and we never did get that chance to play Vegas together. We kept in touch with letters and cards and I re-enlisted in the Army, eventually serving for 27 years. Jimmy passed away on January 29, 1980. I sometimes wonder how different my life might have turned out to be if he hadn’t had that stroke, I hadn’t stayed in the Army and we had played Las Vegas together that year.

He was a one-of-a-kind man and we will never see his like again. I found this YouTube clip from a TV special he did in 1972 – it’s probably one of the last things he did before his stroke.

Be awful nice to 'em goin' up, because you're gonna meet 'em all comin' down.

- James Francis Durante 1893 -1980

Good night, Jimmy old friend - and good night, Mrs. Calabash, where ever you are...

A Chorus Boy With 3 Left Feet

New York City, New York 1967 - 

I was hanging on by my fingernails, living in New York City’s Greenwich Village, auditioning for plays and musicals and singing in small clubs at night to pay the rent as well as sending money home to my parents back in Philadelphia when I saw an ad in Backstage, the paper which in those days was sort of a low rent version of Variety. It was an announcement of open auditions (what is known in the industry as a “cattle call”) for a new musical called “Henry, Sweet Henry”. The music was being written by Bob Merrill, who had also written the musical for the latest flop I had been in – a musical version of “Breakfast At Tiffany’s” starring Mary Tyler Moore and Richard Chamberlain and which closed after 4 previews, never officially opening. Not everything Bob Merrill had done was a flop or failure – he had written several successful musicals including “Carnival” and also collaborated with Jule Styne on “Funny Girl”.

The day of the “cattle call” dawned and I went to the theater - to find a line of auditioning actors 5 city blocks long. At the theater end of the line, I handed a note to the young assistant and asked him to give it to Mr. Merrill, and then walked the 5 city blocks to the end of the line. The note simply said that I was in the line and hoped to get a chance to work with him again. After being in line just a few minutes, the young guy I had given the note to ran up, told me to come with him and headed back to the theater. I walked past the 5 city block long line of actors, getting more than a few evil looks. Going inside, I was led right to the stage and a voice from the dark said, “Rich, how are you? What have you been doing since ‘Tiffany’s’?” It was Bob. I briefly described my club work and he said, “First rehearsal is Tuesday. You’re in the chorus” – and that was my audition. (I always felt I got the job as a kindness since I had been a survivor of “Breakfast At Tiffany’s”. Bob was notoriously loyal to people who had worked for or with him in the past.)

First rehearsal is what is known as a “table read”. The entire cast sits around a large group of tables and reads through the script aloud. The songwriter plays the songs he or she has written and you get introduced to all the other people. Being that the world of performing arts is a small one, almost everyone in the room knew everyone else, either personally, casually, or by reputation.

First dance rehearsal was, for me, a disaster. I was born with (figuratively) three left feet and the choreographer, Michael Bennett (who would become famous later for “A Chorus Line”), was doing his first show as a choreographer. He demanded I be fired after seeing me “dance”. Bob Merrill, bless him, insisted he needed my singing voice so the result was that every big production number I was in, I was as close as possible to the back wall of the stage so the audience couldn’t see my feet.

We opened on October 3, 1967 and closed 80 performances later on New Year’s Eve, so I guess that qualifies it as a “flop”. A few good things came of it: I got to renew my working acquaintance with Alice Playten who had been with me in “Oliver!” in 1963 and who won the Tony Award for Best Supporting Actress for her role in “Henry Sweet Henry”; I had a brief but intense relationship with another chorus member, Pia Zadora; Louise Lasser who had a small role in the show was married to Woody Allen at the time and I got to meet him and another chorus member, Priscilla Lopez, helped tip me off to a musical the following year “Her First Roman” which turned out to be my last show on Broadway. 

The worst things about “Henry Sweet Henry”: I was the only straight guy in the chorus (that I am aware of), and many of my fellow male chorus members died in the AIDS epidemic of the 1980's and Bob Merrill, who had suffered from depression much of his life, committed suicide in 1998.

Number One! - From A Bullet!

West Germany 1973 – 
 
An American Army Captain was literally snatched off the street in a section of Munich, Germany by armed men, thrown into a car and was driven away. My team (See - Six Random Guys Thrown Together For A Job) was called in to join numerous other agents and law enforcement personnel to investigate and to find and rescue the officer. 
 
Digging into the circumstances of the abduction, it was determined that it was a case of mistaken identity. He was a Finance Officer on his way to visit another Army officer for dinner and was grabbed just outside the officer’s apartment. His host was part of an anti-aircraft missile unit with access to classified information about various missiles being used in West Germany and was the likely target. However, they were both close to the same age, were the same height, weight, build and hair color and each of them would have matched the same written description.
 
There were probably 100 or more people investigating the abduction, questioning confidential informants, running down leads and rumors, etc. A picture evolved that indicated the abductors were Bulgarian agents who were new to the Munich area and, in the normally heavy-handed Bulgarian way, thought they could pry classified anti-aircraft missile information out of this missile officer. In the process, they got the wrong man, who could tell them little or nothing about missiles, but probably a lot about the mysteries of U. S. Army finance.
 
An anonymous tip was received that they were holding the American officer in a house in the suburbs of Munich and we were assigned to check it out. After keeping the house under surveillance for some time, it was clear that something odd was going on there, and we got permission (and the assistance of a number of West German policemen with a search warrant) to go in. The house was surrounded, Dieter and a policeman broke down the door and we entered. Shots were fired and, in the ensuing melee, I got hit in the left thigh with the bullet going completely through the fleshy part of my leg. The American Army officer was rescued, a little the worse for wear, two Bulgarians were killed at the scene and three others arrested. Kurt, who had shot and killed the Bulgarian who had shot me, gave me first aid until the ambulance arrived and I was taken to the hospital. I was released the next day.
 
About a week later, we got a visit at our office from the Deputy Commander, U. S. Armed Forces Europe and one of the Assistant Directors of the Bundeskriminalamt (BKA). We were all given awards and citations for the rescue, including, in my case, my first Meritorious Service Medal. I remember the American General saying that I should be getting a Purple Heart Medal but since I had been shot in Germany and not in Vietnam, they couldn’t authorize one. The actual public written citation for the Medal was written in such a way that was so ambiguous you really couldn’t figure out why I got the Medal – typical behavior for when you were in the Cloak-And-Dagger world of Intelligence and Counter-Intelligence. As typical of that time, very little real information got into the media (I believe the German media reported the whole thing as German police arresting bank robbers or something similar). After over 40 years, I don’t think I’ll get in trouble for talking about it now – even though some of it might still be classified information.

Just Another Day At The Office...

How un-dramatic counter-intelligence could be…

On American military bases outside the United States, almost all maintenance is performed by local contractors. So if you’re having trouble with the plumbing in your quarters, the contractor who comes to fix it will most likely be a German plumber. They are vetted, of course, but sometimes someone will slip through the cracks.

In Augsburg, Germany in early 1972, a newly arrived American service man and his family moved into government quarters. When he flipped the switch for the ceiling light in the master bedroom, nothing happened. Being an amateur electrician, he climbed up to check the light fixture – and found a poorly installed listening device that was accidentally preventing the ceiling light from working. He quietly left the room (and the apartment) and notified counter-intelligence.

My team was assigned to investigate. The device was designed to record for a period of time and then would download what it had recorded when activated by someone pointing a shotgun mike at the bedroom window. We established surveillance around the building and, sure enough, someone pulled up in a car, pointed a shotgun mike at the building, and then departed. Johann and John tailed him to a “dead drop” (a place where you would leave something for another agent to pick it up without making personal contact) where he left the recording tape. We kept that spot under surveillance and an hour later a little old German lady came and retrieved the recording. Kurt and I followed her to a bakery where she passed the recording to the man working the counter. He left in his bakery truck and made a delivery to the kitchen of the American Army Officer’s Club, passing the recording on to a man who worked in the kitchen. He, in turn, drove to the Wisbaden American Air Force base after his shift was over and passed the recording on to the head bartender at the Officer’s Club there. It was then that we decided to make an arrest.

Under interrogation, we found that the bartender was actually an East German agent (being the head bartender at that Officer’s Club helped him hear a lot of important things to pass on to his superiors in East Berlin). He had already become very disenchanted with his job, his bosses and the East German government and we were able to convince him to work for us as a double agent. The people in his spy ring didn’t know he had effectively switched sides, so everything they passed on to him, we got to see first and then he passed our edited version on to his superiors in East Berlin.

A lot of following people and surveillance, a bit of selling an idea to someone who was already partially sold anyway and not one punch thrown, not one shot fired, not even one pistol drawn out of it’s holster.
 
Definitely not a good plot-line for a dramatic spy caper movie or TV show – but, frankly, one of the more common cases my team and I worked on over a 16 year period.